BOOKS
Introduction to Contemporary Art in B&H, Jonathan Blackwood
Le silence et la parole au lendemain des guerres yougoslaves, Lauren Lydic and Bertrand Westphal (eds.)
Performative Gestures Political Moves, Katja Kobolt and Lana Zdravković (eds.)
Sexing the border – Gender, Art and New Media in Central and Eastern Europe, Katarzyna Kosmala (ed.)
Shifting Corporealities in Contemporary Performance, Danger, Im/mobility and Politics, Marina Gržinić and Aneta Stojnić (eds.)
Transitland: Video Art from Central and Eastern Europe 1989-2009, Edit András (ed.)
Sarajevo – l*a*tribu*t de l’art, Pierre Courtin, Pierre-Philippe Freymond and Christophe Solioz (eds.)
Exhibitions’ inventory 2004 – 2011- Duplex/10m2, Molly Kleiman (ed.)
Iz/van konteksta: Ogledi i kritike iz umjetnosti, arhitekture i mode, Irfan Hošić (ed.)
The Lost Revolution: Women’s Antifascist Front Between Myth and Forgetting, Andreja Dugandžić and Tijana Okić (eds.)
→ Gender and Citizenship: Promises of Peace in Post-Dayton Bosnia-Herzegovina, Maria-Adriana Deiana
Duplex100m2 & Contemporary Art in Bosnia & Herzegovina / 2004-2018, Jon Blackwood (ed.)
Art – Ethics – Education, Carl-Peter Buschkühle, Dennis Atkinson, and Raphael Vella (Volume eds.)
Dialogues for the Future: Countering the Genealogy of Amnesia, Marina Gržinić and Šefik Tatlić (eds.)
CATALOGS
Image counter image, Patrizia Dunder and Okwui Enwezor (eds.)
Resolution 827, Jelle Bouwhuis and Zoran Erić (eds.)
The 51st Zagreb Salon of Visual Arts – Challenges to Humanism, Suzana Marjanić, Martina Miholić and Marijana Stanić (eds.)
HERO MOTHER, Contemporary Art by Post-Communist Women Rethinking Heroism, Bojana Pejić and Rachel Rits-Volloch (eds.)
Project D-0 ARK, Basak Senova and Sandra Miljević Hozić (eds.)
OUT OF THE BLUE – a sense of public-mindedness, Corinne Diserens (ed.)
MIG 21, Aleksandra Kostič and Petja Janžeković (eds.)
SHARE – Too Much History, MORE Future, Annemarie Turk (ed.)
Spaceship Yugoslavia – The Suspension of Time, NGBK (ed.)
→ Frestas: trienal de artes, Josue Mattos (ed.)
→ A time for dreams, 4th Moscow International Biennale for Young Art, David Elliot and Tatiana Manina (eds.)
→… Was ist Kunst? … Resuming Fragmented Histories, Sandro Droschl (ed.)
→ Videonale 13 – Festival for Contemporary Video Art, Georg Elben (ed.)
→ Decolonial Aesthetics, Pedro Pablo Gómez and Walter D. Mignolo (eds.)
→ No one belongs here more than you, 54th October Salon, Red Min(e)d (Jelena Petrović, Katja Kobolt, Danijela Dugandžić Živanović, Dunja Kukovec, Jelena Vesić (eds.)
→ Sarajevo-Zurich: Unlimited, Anita Hahn and Heidi Hahn (eds.)
→ Art and terrorism: Bosnian Herzegovinian artwork post 9/11, Irfan Hošić (ed.)
→ I will never talk about the war again, Psychosis, Part 1, Vladan Jeremić and Elsa Ekesiöö Thambert (eds.)
→ GuestRoom Maribor 2015—2017, Lucija Smodiš (ed.)
→ Intimacies, Jonathan Blackwood and Branka Vujanović (eds.)
→ ŠTA IMA!? Literatur, Kunst und Kultur aus Sarajevo und Ex-Jugoslawien, Münchner Stadtbibliotek
→ The 5th Busan International Video Festival
→ 9. Pravo ljudski film festival, Jasmina Bajramović and Kumjana Novakova (eds.)
→ State Abed, Mavena (ed.)
→ A WAR E – Kostas Stasinopoulos (ed.)
→ SPA PORT – International annual exhibition of contemporary art
→ Secondary Witness, Maayan Shellef (ed.)
→ Photonic Moments
→ International Women’s Film Festival Israel, Natalie Braun (ed.)
→ The Bring In Take Out Living Archive (la), Red Min(e)d – Danijela Dugandžić Živanović,
Katja Kobolt, Dunja Kukovec, Jelena Petrović (eds.)
Bone Performance Festival, Valerian Maly (ed.)
Bedtime Stories, Adela Jušić and Lana Čmajčanin (eds.)
Stopover – ways of contemporary exchange, Christiane Erharter and Heide Wihrheim (eds.)
Reconciliations, Paul Lowe and Elma Hašimbegović (curators)
NMG / AT/ PRAKTIKA 2016 – 2018, Nataša Kadin (ed.)
The Smile of the Sphinx, Ilari Valbonesi (ed.)
Bigger than Myself. Heroic voices from ex. Yugoslavia, Zdenka Badovinac and Giulia Ferraci (eds.)
The Project Biennial of Contemporary Art D-0 ARK Underground, Basak Senova and Sandra Miljević Hozić (eds.)
Stories of Traumatic Pasts. Colonialism, Antisemitism, and Turbo-Nationalism, Marina Gržinić, Jovita Pristovšek, Sophie Uitz, and Christina Jauernik (eds.)
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CONTRIBUTIONS BY ARTIST
→ Protocollum 2016/17, Global Perspectives on Visual Vocabulary, Safia Dickersbach (ed.), printed art journal
→ Vacarme, Héroïnes inconnues, Vol 59: 59-73 Printed and online magazine
→ I Will Never Talk About War Again, Čmajčanin L., Jušić A. (2018) in: Gržinić M., Stojnić A. (eds), Shifting Corporealities in Contemporary Performance, Avant-Gardes in Performance
→ The Lost Revolution: Women’s Antifascist Front Between Myth and Forgetting, Andreja Dugandžić and Tijana Okić (eds.)
→ Tellall (Ilari Valbonesi, Mak Hubjer, Bojan Stojčić, Damir Deljo, Smirna Kulenović, Đorđe Krajišnik eds.), printed magazine
→ Le silence et la parole au lendemain des guerres yougoslaves, Lauren Lydic and Bertrand Westphal (eds.), artist’s work on book cover
→ Slobodni radikali, online article, Vox Feminae
→ Ride the Recoil, Lichtungen, Journal of Literature, Art and Contemporary Criticism
→ Ride the Recoil, Triple Canopy, online journal
→ Bedtime Stories, Adela Jušić and Lana Čmajčanin (eds.)
→ Sarajevo Travel Guide, Missy Magazine (magazine for pop, politics and feminism), printed magazine
JOURNALS, ACADEMIC AND CURATORIAL TEXTS
→ Manifesta 8 and the Problems of Sincerity, Louise O’Hare, Afterall Journal
→ An archive to build a future: The recovery and rediscovery of the history of socialist associations in contemporary Bosnia-Herzegovina, Larisa Kurtović,
journal History and Anthropology
→ Nuevos pasados que habitamos, Branka Vujanović, Nierika Revista de Estudios de Arte, journal
→ Aesthetics of Transgression and Its Strategies in Post-Yugoslav Art, Branka Vujanović, doctoral dissertation
→ The Instrumentalization of Contemporary Art in Bosnia-Herzegovina, Matthew Webber
→ Performing Identity After Yugoslavia: Contemporary Art Beyond and Through the- Ethno-National, Arielle M. Myers, Art History Theses & Dissertations
→ Genre, guerre et militarisme à travers le prisme de l’art féministe : un cheminement intime. Gender, war and militarism through the prism of feminist art: an intimate path, Nermina Trbonja, Journal Genre, sexualité & société
→ Postyugoslav Contemporary Art Practice as a Generating Force of Emancipatory Memory and Politics, Katja Kobolt
→ Feministički protunarativi: kako “čitati” kulturne prakse u post-socijalističnom prostoru, Biljana Kašić
→ Real but not true, Alenka Trebušak, curatorial text
→ Real but not true, Tijana Okić, exhibition text
→ Without Pity or Sentiment: Conflict in the art of Adela Jušić, Jonathan Blackwood, exhibition text
→ Uneasy Transformation / The Critical Potential of Contemporary Art in Sarajevo, Deim Reka, online journal for art Artportal, EAST ART MAGS project
→ What’s happening on the edge of Europe ── 2019 Balkan Art Scene, Mika Maruyam, online article at artscape Japan
→ Protagonistkinja u borbi protiv eksploatacije, Tea Hadžiristić, Journal for feminist theory and art BONA
→ Ride the Recoil, Werner Fenz, Lichtungen, Journal of Literature, Art and Contemporary Criticism
→ A vi, kad umrem, radite šta hoćete, Aida Salketić, online text
→ Savremena BH umjetnost u borbi protiv mrtvih zečeva, Igor Bošnjak
curatorial text
→ Conflicted Memories, Gwendolyn Sasse, curatorial text
→ Letter from Sarajevo, Bob Dickinson, Art Monthly, printed magazine
EXHIBITION REVIEWS, INTERVIEWS AND OTHER
Personal Ways of Untangling the Political, Susan Hodara, exhibition review, New York Times
Using Art to Move Forward After Bosnia’s Legacy of Mass Rape, Morgan Meaker, Broadly Vice, online article
Šta je nama naša borba dala, Adisa Bašić , exhibition review, Slobodna Bosna, printed and online magazine
Contemporary Refresh, Jonathan Blackwood, exhibition review, printed and online, Oslobođenje daily newspapers
Title Track “Memory Lane” by Adela Jušić, Jonathan Blackwood,
exhibition review
Memory Lane, Ekaterina Shcherbakova, exhibition review
Longing to be close: Zymryte Hoxhaj and Adela Jušić at FEMART, Hana Marku, exhibition review
No One Belongs Here More Than You Do, Jonathan Blackwood, exhibition review
Trade Routes / Conflicted Memory, Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review, Daniella Rose King, exhibition review
Izložba ‘Hero Mother’: Žensko iskustvo političkih mijena, Tamara Zablocka, exhibition review, Urban magazine, printed and online
Adela Jušić, umjetnica: Iz ženske historije učimo da su čuda moguća, Tamara Zablocka, exhibition review, Urban magazine, printed and online
Kako su nam oteli Osmi mart, Tamara Zablocka, interview in Urban Magazine, printed and online
MUSTRA, Boba Mirjana Stojadinović, online interview with Adela Jušić for Supervizualna
Petter Sandelin, online interview with Adela Jušić
Trebamo uporno nametati svoje politike patrijarhalnom opresivnom sistemu, Iva Zelić, online interview with Adela Jušić for Libela
Dekodiranja. Aspekti umjetničkog djelovanja u naježenoj stvarnosti, Branka Vujanović, exhibition review, online article
Kosovo 2.0, Printed and online magazine
Don’t Mention the War, Matthew Webber, online article
Zalog za miran san, Petra Novak, online article
Glas i muzika, narativ i historija, Maja Abadžija, interview with Adela Jušić
daily newspapers Oslobođenje, printed and online
Wikipedia article “Adela Jušić”, Azra Čaušević|
O sveopćoj entropiji značenja, curatorial text and online article, Almissa Open Art Festival
En la Mira de la Guerra, Carlos Baena Echeverry, online blog
Žene iz bivše SFRJ povezuje slavna prošlost, Davor Konjikušić, interview with Adela Jušić, printed and online magazine Novosti
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